Short Film Analysis #10: "Process"

The final film in my series of ten film analyses' is fitting, given that it's about the pain-staking "process" of creation and ideation; coming up with the idea for my short film wasn't merely a case of an idea popping into my head, and so this film is compelling in the way's in which it looks at how creating an idea is a difficult process. The short is notable for it's use of filmic techniques and special effects: CGI, Mograph and RED Footage, as well as a clever use of sound design, make's this a short film that is a technical spectacle as opposed to a film defined by its plot, acting and narrative. Consequently, this short film an appropriate selection in terms of short films to analyse, as it explores special effects and technical aspects that contribute to making the film, "Process".



Camera: The short film is intertwined by the film's protagonist, the "creator", intercut with the man's thought process, erratic and muddled. Starting off with the shots that convey the man's thoughts, obviously the camera angles and styles of shot are incredibly eclectic and contrasting. Long-shots, low angle, mid-shot, panning, you name it. The purpose of this (along with quick editing, and diverse mise-en-scene) is to reinforce the eclectic nature of the protagonist's thought-process. In terms of the shots selected with the protagonist himself, close-ups of the man clearly have the intention of making the viewer identify with the character. At a few points in the film, the man looks directly at the camera, not-quite breaking the fourth wall but asking the viewer to understand this character's desires and frustrations, making him identifiable in his plight to come up with an idea. Low angle shots are used to convey the man's lack of self-worth and conviction in his ideas. Furthermore, longshots of the main in the empty, vacant room reinforces the notion of isolation, detached from reality yet still alone in thought. Also, as the film's protagonist becomes increasingly frustrated, the camera becomes shaky, adding to the notion that the character has lost his hold on sanity.

Cinematography: This film is shot well, with an outstanding use of special effects and animation. Shots of the man drift in and of focus, giving the film a dreamy quality. Moreover, the realism of the colours and tones of the shots counterbalance the CG animation, which is effective in ensuring the film doesn't become too surreal.

Editing:

Mise-en-Scene:

Sound: